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!! Ebook Free THE EYE [ 1st ], by Vladimir Nabokov

Ebook Free THE EYE [ 1st ], by Vladimir Nabokov

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THE EYE [ 1st ], by Vladimir Nabokov

THE EYE [ 1st ], by Vladimir Nabokov



THE EYE [ 1st ], by Vladimir Nabokov

Ebook Free THE EYE [ 1st ], by Vladimir Nabokov

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THE EYE [ 1st ], by Vladimir Nabokov

  • Sales Rank: #1763828 in Books
  • Published on: 1965
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

29 of 29 people found the following review helpful.
Eye Scream Ewe Scream We All Scream...
By Gio
... for more Nabokov! If only he'd been as prolific as Anthony Trollope. This short novella, written in Berlin in 1930, is not nearly the apex of Nab's oeuvre, but it's awfully good. Even when no one could mistake his lepidopterine syntax, it's fun to see him writing in a new genre with every book. The Eye is a tale in the 'doppelgänger' tradition of Poe's William Wilson, Hawthorne's Wakefield, and Melville's The Confidence Man, though there's no reason to assume that Nabokov was aware of his American forerunners. Since the whole novella is built around the reader's dawning suspicions, I can't say much more about the plot without spoiling your pleasure.

The Marxist Revolution makes a cameo appearance in The Eye - its Russian title was closer to 'The Spy' - as in nearly all of Nab's books. In a brief dismissal of historical determinism, he writes: "Luckily no such laws exist: a toothache will cost a battle, a drizzle cancel an insurrection. Everything is fluid, everything depends on chance, and all in vain were the efforts of that crabbed bougeois in Victorian checkered trousers, author of Das Kapital, fruit of insomnia and migraine. There is a titillating pleasure in looking back at the past and asking oneself 'What would have happened if...' and substituting one chance occurrence for another, observing how, from a gray, barren, humdrum moment in one's life, there grows forth a marvelous rosy event that in reality had failed to flower. A mysterious thing, this branching structure of life..." That, my friends, is not only an eloquent dismissal of Marxism but also a fine statement of evolutionary contingency.

Just one more passage from Nab's own words, intended to entice your reading:
"And yet I am happy. Yes, happy. I swear, I swear I am happy. I have realized that the only happiness in this world is to observe, to spy, to watch, to scrutinize one self and others, to be nothing but a big, slightly vitreous, somewhat bloodshot, unblinking eye. I swear that this is happiness."
Okay, I'll accept that, as long as this eye has another Nabokov novel to read.

1 of 1 people found the following review helpful.
Delightful Nabokov novella
By John Morn
Written in 1930, this was the last of his Russian novels that I read. It is short, lucid and imaginative and gives hints of later novels featuring his unique doppelgangers. Did the main character succeed in killing himself? Is he having a funny dream after death which he is able to control, or is he deceiving himself? These questions are central to The Eye, which is one of Nabokov's simplest plots, but still intriguing.

1 of 4 people found the following review helpful.
The Eye, The Spy
By Jon Linden
In this short but exquisite novel, Nabokov returns to a familiar subject; that of a Russian spy in Berlin. The book explains that there are Russian spies all over and that they act as the best of friends and neighbors, until they take you under arrest or worse.

The story depicts the interactions of one spy named Smurov, whom the reader is not informed is also the narrator until almost the very end. Nabokov takes us through a significant time period, when Smurov sees himself through the eyes of others, not through his own existence. As a spy, he does not really exist. He is there to observe others and to keep his own identity a secret.

Nabokov takes us through a bit of surrealistic writing as he indicates that what Smurov sees is all a dream. Yet the reality for Smurov of life is this hiding in society, this spying and because of it, such a person can really only understand himself, through the reflections of him by others. This all culminates with the admission of Smurov that he is happy, when he is observing, happy when he sees himself through that mirror of others, happy when he is invisible and yet observant. This existence is what Nabokov transmits to the reader.

The book is recommended to all lovers of Nabokov's truly modern fictional approach. The book will entertain and delight and all in a mere 104 pages. It is well worth the read.

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